0xcd3dbc22…d59fsent to0xdf80ad21…2567·#23,283,263·view on Etherscan
0xCD3dBc22E8AfD3B8a93b2880982B78D6F5d8D59f##
AI description / update - September 3rd 2025
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Deadline changed from September 15th to October 15th.
Possibility of secondary remix round added (
"Moons, Castles, Trees" is a digital art exhibition as part of the 2025-2026 Wrong Biennale, curated by Danish artist Kasper Bergholt.
The project, themed around "AI Chronotopes," invites artists globally to submit up to six still images (JPG or PNG), with no cost or artistic background required, exploring the fusion of time and space through the lens of artificial intelligence.
The open call for submissions closed in September 2025, with the exhibition running from November 1, 2025, to March 31, 2026.
What it is:
An art exhibition that serves as a sub-project within The Wrong Biennale, a large, decentralized, and collaborative digital art event.
Theme:
"AI Chronotopes," a concept that fuses time and space within narratives and experiences, with a focus on the role of artificial intelligence in contemporary art.
Inspiration:
The project was inspired by the dream-like images from Nick Cave's "Cinnamon Horses".
Eligibility:
Artists from any discipline or background worldwide are welcome to submit their work.
No Experience Needed:
Artists do not need a formal art degree or exhibition history to participate.
What to Submit
Medium: Still images, which can be photography, drawings, AI composites, visual poetry, or other formats that can be saved as a JPG or PNG file.
Quantity: Artists can submit up to six images.
Content: Submissions do not have to be made with AI but can be.
Materials: Artists can use provided visual and textual materials called the "Chronotopes Image Pack" for inspiration, but it is not mandatory.
Curator: Kasper Bergholt, a Copenhagen-based artist and photographer.
Deadline: October 15, 2025.
Exhibition Period: November 1, 2025 – March 31, 2026.
Copyright: Artists retain full ownership of their submitted work.
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I am considering launching an 'Opera Aperta' [Open Work] round, running from November 1 to March 1. A second phase consisting of artworks that comment on, supplement, or interpret the works presented in the original open call.
Participation would be entirely opt-in for the artists exhibited in Round 1.
This second round would be curated, and artists would also have the opportunity to reinterpret or remodel their own earlier contributions.
It is not intended as a sequel but as an unfolding and reworking, marked by loss of control, and artistic openness.
Participating artists would be asked for opt-in once the first round goes live on November 1st 2025.
“The ‘openness’ is not merely the openness of the message but also the openness of the interpreter, who must supply his own existential credentials to the work, and in so doing he makes it his own and contributes to its continuous generation.” — Umberto Eco, “Opera Aperta.”