memoscan

0x0000…7b97

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0x5aef0ecd…78b0sent to0x00000041…7b97·#23,828,227·0xb6391c69…4f6296
const s2 = (q, p, k) => { return q[k].map(v@A i === 0 ? v : l[i-1@@function Random(seed=04101842887655102017A* 2862933555777941757n 7046029254386353087nC'?CEA?A>>=?AA@F@E=D@>EE@AE>BCBCDCC>@>=<B=DBF?EAD?<EA==BB= BAA=ACFCA?B==D><A??=<E@FE?? >C?AC?>B # AFBDHGABH< n` new OffscreenC`'1234477c1d0cd43f4d2693c9643215401b2bed3597d9c83f658f838d783a573f8a8f64d721e5b13fdd078678a4c36c3f303dced03a705e3f5cce0c8ce4 1`?,3548fd3723f1581f04 56aa3fc192ebad14a9d _37ffc9238ee7a33fb66eab6b0 893f79bff2c27f@3fzz161059aade329 Azz2c622d920ec1b`3 z008052406! 732687714828c53 860b40263e669955@z" 00a837e59eb696 zze68b5aa69a0b8!4y: flex;justify- SmoothingEnabled
0x5aef0ecd…78b0sent to0x00000041…7b97·#23,828,129·0x26334697…970e12
Inspired by the shifting, abstract patterns of Asari clam shells, A Thousand Layers of Stomach reflects on the mathematical structures that shape the natural world and how life, against the pull of entropy, creates moments of order, intricate geometric forms, and complex structures from chaos. It explores how natural processes and computational logic intertwine to generate endless variation and unexpected beauty. ASARI is a limited edition of 10 one-of-a-kind generative artworks released with TRAME on Art Blocks as the first edition within the A Thousand Layers of Stomach (ATLOS) project. Each work draws from the internal growth logic of the Asari clam shell, a living record of time, mineral flow and evolutionary chance. Every digital artwork is paired with a knitted textile made on our custom machine and hand finished, bringing its pattern into the physical world. Together they form a single organism of code and craft, entropy and order, captured in a unique expression that will never exist again. The project is a collaboration between A.A.Murakami, known for their poetic “Ephemeral Tech” installations that merge art and nature, and TRAME, a design studio that brings generative code into dialogue with traditional craftsmanship. Together, they explore how technology and craft can merge into new forms of expression. Originally debuting in 2024 at Art Blocks Weekend in Marfa, Texas, A Thousand Layers of Stomach continues to grow with each exhibition, weaving together threads of biology, code, and community.
0x5aef0ecd…78b0sent to0x00000041…7b97·#23,249,757·0xeb2d48f3…712939
// Desert Threads - Fingacode Co llection * custom Pinata gateway const ip= [ "bafybeiauntqi7k4qohle7uj4kj5nikmnvif2svavdpk3r6xdglzi6kux4u6oxpujjoucp5jqzfhz33e4ku3rq2p3lh2qh4hxrt6bsnucfnyb6prj6wmws7ywnmcvjmliz3zuise5v7pdwqymgwpz62rfpa3iaxqcvyxtmfbpabq277imdhorqodighywmkucbal3tw5zsmcje7bwsv4fgkgvtd6h7d3nkmyjixfoo6ls3fkye2orhejzwvkrse2b3gbcbxuay7pctueu3c2solxm2wtv2jh37vrto4u 6u5yxoretehagh7ty7be7g5vyea6t2jxgzojtkbi4jdzvvmuzfmxjapmcacamcnaasrricifeykvtq7a6pe3frdqmdzy3q2muwdpb5nohujdlfrpucenorrfbotwh7fibeh6z2qlauzhzkceei4rg2wucyml6ryk4din4ps54mr6gzw7s24y4pg76crwpklpk2aqgkab5onmtjwg6w4x6asycritihgqlmhgi4cvzvnhpvs3vjksmvqrupls44sg4ac5q47liwpysvibx55rjm" https://olive-abundant-k& fisher-440.mypfdocument.body.style.margiA50.5s ease-in-out!n`3 : white; f#/ -family: monos!) appendChild(img);
0x5aef0ecd…78b0sent to0x00000041…7b97·#23,249,683·0xe23aa028…6d7e00
A vibrant topographic meditation on Morocco, Patches translates memory into form, mapping the landscapes, traditions, and cultural imprints that shaped the artist’s experience of his travel. Earthy browns evoke the boundless Sahara, while deep blues trace the embrace of the Mediterranean and Atlantic. Lush greens recall the forests of Azrou and the ritual of mint tea, a daily rhythm of warmth and hospitality. The soft pinks and bold reds celebrate Morocco’s rich history of artisanal craft and its enduring cultural influence. Each color, a fragment of place and time, comes together as a tactile homage to Morocco’s layered identity.
0x5aef0ecd…78b0sent to0x00000041…7b97·#23,249,192·0x313d81c8…4b18b1
// Desert Threads - Linda DouniaA Staircase Home -Using custom Pinata gateway const ipfsHashes = [ "bafkreif7ftmgzx7g2f2gp7lcxu6edzvuhpx44x3sgtp5ywpp3flkuiypyy", ybeidgngh7nlhlqgdxzwekbamd4vsfkfbel7yxkeewdzjpjy4vve4334bmmm2xtqko2oeq3mskxzj46iqzsggsjo6i5kp2rltcklhk2udviqchmbxoblqq4ejht2vjopr3dt5bfzgd2vm2ou3hbizdca4rqrhmpuwy7ew5ykrdhpihxms5sd7jfd5msmno3fdbwgjq32qntxxlumpc4zurm6dutkacc"/kdy4nttqfp6pvbwephb74ihuj7lhxqxaeku2lcts6cro7xchh4pg3mvfsv3bpatym47aeev5cimxlgviiqcj5exeyt67r3szuhqhxburv3qqbxh7vcbzbcabvcwxwyb6jb5vl26nsbkkkbt#jq5ldbghxg3fjxp7to2gvlesaifvuce4bs2c7owr5sgmrxovyvuvitzj7ufkc56inhvb4rbgdhnohbj7qvjxofm2dfuir5uzm6cgoe2qhnqlhsbutenffm4qs53d2ffqaplytqsqjxbaxtkt4qk62rfznh4umx6xm 7bwzrpsu" https://olive-abu&qdocument.body.style.margiA5 : white; f#; -family: monos!) appendChild(img);
0x5aef0ecd…78b0sent to0x00000041…7b97·#23,248,776·0xf78b5431…3c1a45
Artist Linda Dounia contemplates memory, loss, and change in her poetic collection, A Staircase Home. Her artwork is designed through an algorithm built around her memory of the staircase that led up to her beloved childhood home in the small Senegalese city of Mbour, a home that was removed to make way for a growing city. The staircase motif climbs back and forth in each of 12 digital artworks—tufted carpets in their physical forms—at varying heights and angles in a mix of earthy and vibrant tones. Conceived on an exploratory trip to Morocco where the physical medium for her collection was chosen, the works also take inspiration from Moroccan artisanal traditions. The abstract shapes that rise and fall in a zigzag pattern from edge to edge, create a dynamic symbol of connection between past and present and technology and craft.
0x5aef0ecd…78b0sent to0x00000041…7b97·#23,049,561·0xa409c675…77e1c5
// Desert Threads - IX Shells CoUsing Pinata gateway for better mance const ipfsHashes = [ "bafybeibqkbzkpxon7jbg3va5mrwthonxtsimtnreompkyklo6szd4otvqy", c6sfqh3whkmute7fz7n 7tk4ssyltghqcmy2tq6uhpbrjbwcdadjwl6aauunvrmczuq7ejzk5qqcusfxcd3hla2ug3hydg33o4olfubangeo2kq3vvcgfogjlx3q7gwic3pcyhldjtf3j5akdqra6hc5dmap3lroqmytaikjscwh5ndqsh746fgc5rtm3ikmosaghnz5intwqa" and more reliable)up display document.body.style.m0.5s ease-in-out!n`3appendChild(img);
0x5aef0ecd…78b0sent to0x00000041…7b97·#23,049,543·0x61fca1e2…e8be92
“Hand and machine write the same pattern, one in wool, one in memory, both looping toward the next increment.” Bringing her digital art into a physical medium for the first time, Ix Shell’s collection of tapestries explores the parallels that exist between hand-crafted patterns and computer code. “Tiles, textiles, doors, even the shadows in narrow alleys formed deliberate designs that echoed the modular logic of code.” Using her photo documentation from an exploratory trip through Morocco where she was inspired by the deft handwork of master artisans, Ix Shells extracted not only geometry and shapes, but also the idea that there is an exceptional power in the muscle memory of the human mind. Using her programming to mirror, rotate, and manipulate nodes of data, she delivers tapestries that showcase the human ingenuity of craft delivered through code.
0xa5d9232c…5604sent to0x00000041…7b97·#22,518,112·0xab929c36…4a8059
/** * [js-sha3]{@link https://github.com/emn178/author Chen, Yi-Cyuan [ t(t,e,r){this.blocks=[],`Count=1600-(t<<1)>>53;for(var n=0;n<50;++n)`Xd type",n="obje!f{};i.JS_SHA3_NO_WINDOW&&(n!2.node?i=global:o ArrayBuffer,f="0123456789abc ,".split(""),c=[4,1024,262144,67108864],h=[0,8,16,2 56,384,512],l!r@56],y=["hex","bat%S row new Err%t o=y[i];t[o]=e( 2!O=[{name:"keccak", N.push(H),z[H] !>>2]|=n<<h[3&r++]:n<2048?( Index=r,r>=%v@S`(t+΅d i=(e-r%e)%e%O,s,u,f,c,h,d,l,y,b,v,A,g,B,_0C,x,m,O,z,N,J,M,j,E,H,I,R,F,U,D,V,W,Y,K,q,G,L,P,Q,T,X,Z,$,t%0%!" t,it,ot,at,st,u+overflow: hidden absolute m!c visibilit!-a","Chris Lasch mZO >0)/4294967</[^a-zA-Z0-9]/g,F:16777215,edge:0},incotta:8929589,pink 0k:2171945,grey:6909033 56,royalB % :2243701,ul)["NONE","#384& @
0xa5d9232c…5604sent to0x00000041…7b97·#22,518,096·0xc1136459…e07cdc
M_THREADS/2);j++){threadingGrid[>M.var.NUM_SHAFTS-1){let flag=0;=Math.floor(rand()*=@F Choice([-1,1])}offsetPattern(g"checkSequentialRuns(8-3,@)omRules=()=>Array.from(!userData.myInfo=" nqq TableSnipp Jr| (min=0,maxNg s(gridName,pat,
0xa5d9232c…5604sent to0x00000041…7b97·#22,518,088·0xa6baaca9…127340
carletRed","lightPink"]},{name:"Cool",p:1,arr:["tenderGreen 1]}]};const chairModels={fouquet: spacingTypes=["StandarA=w.M=M;scopeF2();function {M. 1 ={zoom:30,c! ve`i :new THREE.`15658734),background`@],maxGen:2,NUM_SHAFTS:8`passedLengthTest:trueD:2038564,showBothCanvases:' *1`};M.seed=tokenData.hash;sReload.,x,y,w,h,ox,oy){this.@ eadling.activeqgeometry=new THREE.P; myInfo={type:"@SA@P SHAFTS-1){`&=@" Choice([-1,/
0xa5d9232c…5604sent to0x00000041…7b97·#22,518,082·0x43baf3c2…04a6f4
** * [js-sha3]{@link https://github.com/emn178/author Chen, Yi-Cyuan [ t(t,e,r){this.blocks=[],`Count=1600-(t<<1)>>53;for(var n=0;n<50;++n)`Xd type",n="obje!f{};i.JS_SHA3_NO_WINDOW&&(n!2.node?i=global:o ArrayBuffer,f="0123456789abc ,".split(""),c=[4,1024,262144,67108864],h=[0,8,16,2 56,384,512],l!r@56],y=["hex","bat%S row new Err%t o=y[i];t[o]=e( 2!O=[{name:"keccak", N.push(H),z[H] !>>2]|=n<<h[3&r++]:n<2048?( Index=r,r>=%v@S`(t+΅d i=(e-r%e)%e%O,s,u,f,c,h,d,l,y,b,v,A,g,B,_0C,x,m,O,z,N,J,M,j,E,H,I,R,F,U,D,V,W,Y,K,q,G,L,P,Q,T,X,Z,$,t%0%!" t,it,ot,at,st,u+overflow: hidden absolute m!c visibilit!-a","Chris Lasch mZO >0)/4294967</[^a-zA-Z0-9]/g,F:16777215,edge:0},incotta:8929589,pink 0k:2171945,grey:6909033 56,royalB % :2243701,ul)["NONE","#384& @
0xa5d9232c…5604sent to0x00000041…7b97·#22,517,598·0x4c0cf71b…fa6be8
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0xa5d9232c…5604sent to0x00000041…7b97·#22,517,544·0x84494d3c…dc44af
/** * [js-sha3]{@link https://github.com/emn178/author Chen, Yi-Cyuan [ t(t,e,r){this.blocks=[],`Count=1600-(t<<1)>>53;for(var n=0;n<50;++n)`Xd type",n="obje!f{};i.JS_SHA3_NO_WINDOW&&(n!2.node?i=global:o ArrayBuffer,f="0123456789abc ,".split(""),c=[4,1024,262144,67108864],h=[0,8,16,2 56,384,512],l!r@56],y=["hex","bat%S row new Err%t o=y[i];t[o]=e( 2!O=[{name:"keccak", N.push(H),z[H] !>>2]|=n<<h[3&r++]:n<2048?( Index=r,r>=%v@S`(t+΅d i=(e-r%e)%e%O,s,u,f,c,h,d,l,y,b,v,A,g,B,_0C,x,m,O,z,N,J,M,j,E,H,I,R,F,U,D,V,W,Y,K,q,G,L,P,Q,T,X,Z,$,t%0%!" t,it,ot,at,st,u+overflow: hidden absolute m!c visibilit!-a","Chris Lasch mZO >0)/4294967</[^a-zA-Z0-9]/g,F:16777215,edge:0},incotta:8929589,pink 0k:2171945,grey:6909033 56,royalB % :2243701,ul)["NONE","#384& @ 2,NUM_SHAFTS:8`passedL6a thTest:trueD:2038564,showBothCanvases:' 2Z`};M.seed=tokenData.hash;sReload.name,x,y,w,h,ox,oy){this.@
0xa5d9232c…5604sent to0x00000041…7b97·#22,497,924·0x61b8842c…25c3ff
ENLACE is a groundbreaking collection of one-of-a-kind generative chairs presented by TRAME in collaboration with Aranda\Lasch and Maison Louis Drucker. Reimagining the iconic Parisian café chair, the project weaves together algorithmic design and French heritage craftsmanship. At its core is a custom algorithm developed by Aranda\Lasch, which generates unique digital patterns that are handwoven by Maison Drucker’s master artisans. By merging computational creativity with traditional cane weaving, ENLACE exemplifies TRAME’s mission to explore the intersections of craft and technology—offering a fresh, contemporary take on a timeless cultural symbol.
0x7e73c90f…cc24sent to0x00000041…7b97·#20,442,766·0x0c3f7942…d75001
Like the freestyle nature of jazz music, this algorithm applies the same animated spontaneity to create an abstract visual symphony. Each piece is its own masterpiece where abstract shapes and vibrant colors dance across the screen, echoing the fluidity and dynamism of a live performance. The bold geometric patterns flow into organic forms, celebrating the beauty of the unexpected, the joy of creative exploration, and the timeless allure of jazz.
0x7e73c90f…cc24sent to0x00000041…7b97·#20,442,728·0x34c7a54b…3b940b
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