memoscan

0xab00…4ac6

All memos sent from and to 0xab00…4ac6.
0xb3b212da…19cbsent to0xab000000…4ac6·#22,132,139·0xd1515ae4…4434b1
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0xb3b212da…19cbsent to0xab000000…4ac6·#22,132,102·0x57861a71…74d056
var z3=Object.defineProperty;@B3=(r,e,n)=>e in r?z3`{enumerable:!0,configuvalue:n}):r[e]=n`Ytypeof e!="symbol"?e+"":@} ("link").relList;if(e&&e.supportoad"))return;for(]'))l(t);new Muta@i.addedNodes)s.tagNam`3,i)}})();class N3o=o+1|0,t=i^i>>>9 0)/4294967296}};e?(a% D tokenData.hash()}random_dec(){0,e.length-1)]}rndFromEc<0?(d=n,f=l):c>1@ l}],n2={black:[0,0,5],yamabudo:[205,70,26],konpeki@3,90,47],fuyusyogun @n ]},W={yellow:[ ,c8:.5,soloWalk)4 arDensity:1},c ^,G2=[{name:"Robot",e&ww.__DENSITY_SPECIFICATION ("-?;o~' t=q3[l];t||@ l=>({value,# ID:Symbol($.5?2*r*r:-1+(4- y,c=(t-s)*(a-p)-(i@Y /** * splaye25er Milevski <info@w8r.name>`-Ge except in com4PROVIDED ON AN *AS * BASIS, WITHOUT WARRANTIES OR ;A PARTICULAR PURPOSE, MERCH rning permi5,+Wl(""+e+(n?"└─ R@" },enumerabl4 do s++;whil,r"wst d1=11102230246251565e-32,Z=134217729,gn=(3+8*d1) ,u,p,c,d,f,g,x,w,S,v,P,_,C,I,O^Z*R,d=c-(c-R),f=R-d`F),x=F-g,_=f*x-(P-d*g-f I1=Number.EPSILON; n*n<In*r*e?0:r<e?-1:1};class knt1{static compare * y}}isAnEnd`:AneB= ;for(;n.consum
0xb3b212da…19cbsent to0xab000000…4ac6·#22,120,028·0x3d355f67…041d25
tractors","Unable to Reveal CurrTime-Compressing Simula A Quigley Matrix Expo`% Flash Vari@St B k System"];fun on f5(){if(!X1){X1=docum!sList.add("on-s *body.appendChild( dmn(),W2||(W2=setA{{P2=(P2+1)%a2.length@window.__MODE="BUSIEST";!xdth:24,height:60,border:3},DENSITY_SPECIFICATION["0xa283803b70449ab4060c3e3bc4480134aa8f33e510d47aacc5ecf0127bef0x44a7723077c954c8d2c08c8f5b32 dbcbc36831ac5756f7a3873a5b298007186b41f11dda6939551b5f190bfded18c096d3e8d6dfcc065870a3698ce000a17966ed9a7d58db2"7eaba6c381cd55247@9ff1f5d8411a82b64`D 54fb8435f46be"],e=tokenData.` b5=!1,S5=.475,f2f1={pipeID:0,landmark`background="rgb(250, SORT_b9_ELEMENTS"):`6d in April 2024 -,ll. Many thanklumns:e,rows:n}=$!yh=n[t];&,@6 h,0,1,.1,5#
0xb3b212da…19cbsent to0xab000000…4ac6·#22,120,027·0x138864a6…f2850f
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0xb3b212da…19cbsent to0xab000000…4ac6·#22,120,026·0x67da0e31…c6b370
,X)+PI/2;let B=f.x+cos(F)*_,J ;this.transform.vertex(B,J)}}const pn=(r,e,n,l="ccw")=>{@ut=e-r;return l== w"?t<0&&(t+=TWO_PI):t>`n=r.reduce((l,t . l.y<t.y?l:t)),`+un=-1,ae=.25,z1@{{name:"a0-1",w:2,b1:3},boombox",b6:.006& ||"WTF",offset ,_ID:Sy"$ l(),_USES:6||"s 75,canFlip :!0}))};class Wn{h?y()>.5:!1,{polys:s"lumns:e,rows:n}=$ Zif(A(t,i,1,1)|| ,"displayName","Furball"us:{city:[{fn:be,(C :[2,4],b3:1) x1={current*$@?lJ- w1=null,J1 *;function me(r="Af...i,ID:Symbol($2("DEAD INSTANCE7sole.log(`Placed ${l} c6 in N={CURRENT:{m.{ 3e3},megaCB=v+X,J=P+F,Q1=B<0||B>=n||J@ ",from:P,to:_,A{*L.a4.carDensityN}$+cos(s+h*PI/4/(o/2.A _ ]`H PI+PI*d)*a
0xb3b212da…19cbsent to0xab000000…4ac6·#22,120,024·0x8a963f72…141c11
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0xb3b212da…19cbsent to0xab000000…4ac6·#22,120,017·0x1025ff17…f814ba
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0xb3b212da…19cbsent to0xab000000…4ac6·#22,120,015·0x1f1836dc…4033f0
var Nn=Object.defineProperty;@Hn=(r,e,n)=>e in r?Nn`{enumerable:!0,configuvalue:n}):r[e]=n`Ytypeof e!="symbol"?e+"":@} ("link").relList;if(e&&e.supportoad"))return;for(]'))l(t);new Muta@i.addedNodes)s.tagNam`3,i)}})();class vno=o+1|0,t=i^i>>>9 0)/4294967296}};e?(a% D tokenData.hash()}random_dec(){0,e.length-1)]}rndFromE(g2):{step:0};wi"u<0?(d=n,f=l):u>1@ +sin(PI*2/l*i)*nb l}],n2={black:[0,0,5],yamabudo:[205,70,26],konpeki@3,90,47],fuyusyogun @n ]},W={yellow:[ ,c8:.5,soloWalk)4 arDensity:1},c ^,U2=[{name:"Robot",e&w__DENSITY_SPECIFICATION ( l=>({value,E ID:Symbol($.5?2*r*r:-1+(4- y,u=(t-s)*(a-p)-(i@ is already exec4l(""+e+(n?"└─ R@" },enumerabl4 do s++;whil,r"w1=11102230246251565e-32,Z=134217729,g3=(3+8*d1) ,c,p,u,d,f,g,x,w,S,v,P,_,C,I,O^Z*R,d=u-(u-R),f=R-d`F),x=F-g,_=f*x-(P-d*g-f I1=Number.EPSILON; n*n<I3*r*e?0:r<e?-1:1};class k3 * y}}isAnEnd`:An
0xb3b212da…19cbsent to0xab000000…4ac6·#22,118,398·0xec17aea4…8fd269
_BUSIEST_ is a generative reflection of urban complexity and interconnected systems. As an artist who works at the intersection of code and mechanical plotting, James Merrill has become fascinated with the contrast between overwhelming city dynamics and the quiet stillness of his Vermont studio. He seeks to transform apparent chaos into structured beauty, creating works that reveal the hidden patterns within our seemingly disordered world. Merrill says, "What drew me to generative art was the ability to make programs that generate infinite numbers of outputs. I often observe cities as layered systems that we've normalized through familiarity, and I wonder how to capture that totality. I'm interested in offering viewers a god's eye perspective—not just of urban environments, but of the underlying coexisting elements that form them." This tension between randomness and order drives Merrill's creative process and shapes the intricate compositions that emerge. _BUSIEST_ explores the overwhelming sensation of being pulled in countless directions—notifications, movement, tasks—while seeking the underlying structure beneath.The work emphasizes relationships over randomness, causality over noise, and cause and effect over disorder. Drawing inspiration from highly detailed Wimmelbilder scenes, _BUSIEST_ applies generative techniques to build complex compositions that feel both familiar and abstract. This collection of 5 unique works invites viewers to discover new details with each viewing—much like exploring a metropolis where chaos resolves into structured complexity when viewed through the right lens.
0xb3b212da…19cbsent to0xab000000…4ac6·#22,097,423·0xc29d8122…58c2ba
var z3=Object.defineProperty;@B3=(r,e,n)=>e in r?z3`{enumerable:!0,configuvalue:n}):r[e]=n`Ytypeof e!="symbol"?e+"":@} ("link").relList;if(e&&e.supportoad"))return;for(]'))l(t);new Muta@i.addedNodes)s.tagNam`3,i)}})();class N3o=o+1|0,t=i^i>>>9 0)/4294967296}};e?(a% D tokenData.hash()}random_dec(){0,e.length-1)]}rndFromE(y2):{step:0};wi"c<0?(d=n,f=l):c>1@ l}],n2={black:[0,0,5],yamabudo:[205,70,26],konpeki@3,90,47],fuyusyogun @n ]},W={yellow:[ ,c8:.5,soloWalk)4 arDensity:1},c ^,G2=[{name:"Robot",e&w__DENSITY_SPECIFICATION ( l=>({value,# ID:Symbol($.5?2*r*r:-1+(4- y,c=(t-s)*(a-p)-(i@Y /** * splaye25er Milevski <info@w8r.name>`-Ge except in com4PROVIDED ON AN *AS * BASIS, WITHOUT WARRANTIES OR ;A PARTICULAR PURPOSE, MERCH rning permi5,+Wl(""+e+(n?"└─ R@" },enumerabl4 do s++;whil,r"wst d1=11102230246251565e-32,Z=134217729,gn=(3+8*d1) ,u,p,c,d,f,g,x,w,S,v,P,_,C,I,O^Z*R,d=c-(c-R),f=R-d`F),x=F-g,_=f*x-(P-d*g-f I1=Number.EPSILON; n*n<In*r*e?0:r<e?-1:1};class knt1{static compare * y}}isAnEnd`:AneB= ;for(;n.consum
0xb3b212da…19cbsent to0xab000000…4ac6·#22,096,944·0xdfd442b8…eb4181
_BUSY_ is a generative reflection of urban complexity and interconnected systems. As an artist who works at the intersection of code and mechanical plotting, James Merrill has become fascinated with the contrast between overwhelming city dynamics and the quiet stillness of his Vermont studio. He seeks to transform apparent chaos into structured beauty, creating works that reveal the hidden patterns within our seemingly disordered world. Merrill says, "What drew me to generative art was the ability to make programs that generate infinite numbers of outputs. I often observe cities as layered systems that we've normalized through familiarity, and I wonder how to capture that totality. I'm interested in offering viewers a god's eye perspective—not just of urban environments, but of the underlying coexisting elements that form them." This tension between randomness and order drives Merrill's creative process and shapes the intricate compositions that emerge. BUSY explores the overwhelming sensation of being pulled in countless directions—notifications, movement, tasks—while seeking the underlying structure beneath.The work emphasizes relationships over randomness, causality over noise, and cause and effect over disorder. Drawing inspiration from highly detailed Wimmelbilder scenes, BUSY applies generative techniques to build complex compositions that feel both familiar and abstract. This collection of 50 unique works invites viewers to discover new details with each viewing—much like exploring a metropolis where chaos resolves into structured complexity when viewed through the right lens.
0xb3b212da…19cbsent to0xab000000…4ac6·#22,096,911·0x2904b727…648894
l)*t+i}}let X1=null,R2k2=0;const d5=` .on-screen-messaposition: fixed;`4 color: #6874a2ter-spacing: 0.08emsize: calc(1.5vh-serif; } `; T a2=["Bind VRoot System","C TInverse Probability Matrices *to Lock Back-Buffer 7on f5(){if(!X1){#`("div"),X1.c \ sList.add("(k2+1)%a2.length@ow.__MODE==="BUSIEST"){DENSITY_SPECIFICATION["0xa283803b70449ab4060c3e3bc4480134aa8f33e510d47aacc5ecf0127bef0x44a7723077c954c8d2c08c8f5b32 dbcbc36831ac5756f7a3873a5b298007186b41f11dda6939551b5f190bfded18c096d3e8d6dfcc065870a3698ce000a17966ed9a7d58db2"z7eaba6c381cd55247@9ff1f5d8411a82b64`D 54fb8435f46be"],e=tokenDw5=!1,b5=.475,f2y:W2}=v3(F3,w5)`:f1={pipeID:0,landmark`SORT_b9_ELEMENTS"):`6ll. Many thanklumns:e,rows:n}=$!yh=n[t];&,@6 h,0,1,.1,5#
0xb3b212da…19cbsent to0xab000000…4ac6·#22,096,910·0x94228d09…fea51d
x(a,u)}n.endShape()}),e}function Qe(r,e,n){let l=(e.length-1)*m/2,t=.05,i=3.5,s=18;n.begin,n.oval(t+l/i,0,@forEach((c,d)=>`d=c/s,f=u+t+cos(PI/2*d)*p,g >;o.push({x:f,y:g})}return Y(r.pos.x,.75/(u/2))*h,d=-{height:l,dashesPerGrid:t`darb1:s}=L.a4,o=e[0i0={normal:[{fn:r0,dir:"b9",min,avoidFlips:!1}0k*e=i0[r.genus].filter(nO>r.distance?!1:!:h,dashesPerGrid:a`Length:u,secondarb1:p}=L.a4)h.push({start:d, Rst W1=r=>r<.5?2*r*r:1e['d n(floor(r/+ %s.length].valZ+cos(d+x*a)*g,S5
0xb3b212da…19cbsent to0xab000000…4ac6·#22,096,909·0x4e5fc31c…f1e3e6
m.beginShape(),this.transform.circle(p,c-f,d*y(.1,.9)),y()>.5?=M(0,i,{x:0,y:0}@ `!s,o=s.length;u2(L.c5).!aEach((a,u)=>{b(a.valuex=atan2(f.y-d.y,f.x x+cos(x+S)*P,I X=D/64,F;x<w?F=h3(x,w,X,"ccw")+Pt=e-r;return l== w"?t<0&&(t+=TWO!n=r.reduce((l,t . l.y<t.y?l:t#p3=-1,ae=.25,z1@{{name:"a0-1",w:2,b1:3#kboombox",b6:.006&e.BP ||"WTF",offset 6||"s 75,canFlip :!0}))};class Y3{h:!1,{polys:s!= sk:o}=M1(t`Nlumns:e,rows:n}=$ Z,"displayName","Furball"us:{city:[{fn:be,(C :[2,4],b3:1)lJ- w1=null,J1 *;function me(r="Afp0p-B ...i,ID:Symbol(asole.log(`Placed ${l} c6 in c=h[a][u]<150|| FN={CURRENT:{m.] 3e3},megaC<l,$//`# wheel-twis@jB=v+X,J=P+F,Q1=B<0||B>=n||J@ ",from:P,to:_,A{*L.a4.carDensityN}$+cos(s+h*PI/4/(o/2.A
0xb3b212da…19cbsent to0xab000000…4ac6·#22,096,907·0x1c24fcc8…24518c
,70,0,60 3 #train-car-2 @18 r ? 5,352,88,44 front-1-mask d0,3@P335"_av!q ΁ TAUBbB^Hxj|"jBх~ C #a@J'HE<BU!|"9C}IC"D0+5CjB10M@<`WAG#13`,K1={};let D2@ function Qn(){ h=!0){if(!D2[r])return[]; .reduce((u,p)=>Array.is`(p[0])?u.concat(p):(u.push st f={x:p.x*s+c,y h||(f.x+=e,f.y+=n),p height+n+t-i},!1))}{polys:a,mask:u}}class Zn{ab5:round("& scaleMod:t}i=1-e/n;i=i>.8?1:i@,&f=d/u*h+a/l*TWO_PI,g=o*( x=i+cos(f)*g,w=s+sin`ole.log("Hey you! Look accellSize=l/sqrt( Y ).closestDist<.Ir:p,h:f,ID:Symbo#{!a a,g)!e u=u?max(u,f8
0xb3b212da…19cbsent to0xab000000…4ac6·#22,096,899·0x15e79aad…57a5e8
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0xb3b212da…19cbsent to0xab000000…4ac6·#22,096,897·0xe1049ee8…477000
var z3=Object.defineProperty;@B3=(r,e,n)=>e in r?z3`{enumerable:!0,configuvalue:n}):r[e]=n`Ytypeof e!="symbol"?e+"":@} ("link").relList;if(e&&e.supportoad"))return;for(]'))l(t);new Muta@i.addedNodes)s.tagNam`3,i)}})();class N3o=o+1|0,t=i^i>>>9 0)/4294967296}};e?(a% D tokenData.hash()}random_dec(){0,e.length-1)]}rndFromE(y2):{step:0};wi"c<0?(d=n,f=l):c>1@ l}],n2={black:[0,0,5],yamabudo:[205,70,26],konpeki@3,90,47],fuyusyogun @n ]},W={yellow:[ ,c8:.5,soloWalk)4 arDensity:1},c ^,G2=[{name:"Robot",e&w__DENSITY_SPECIFICATION ( l=>({value,# ID:Symbol($.5?2*r*r:-1+(4- y,c=(t-s)*(a-p)-(i@Y /** * splaye25er Milevski <info@w8r.name>`-Ge except in com4PROVIDED ON AN *AS * BASIS, WITHOUT WARRANTIES OR ;A PARTICULAR PURPOSE, MERCH rning permi5,+Wl(""+e+(n?"└─ R@" },enumerabl4 do s++;whil,r"wst d1=11102230246251565e-32,Z=134217729,gn=(3+8*d1) ,u,p,c,d,f,g,x,w,S,v,P,_,C,I,O^Z*R,d=c-(c-R),f=R-d`F),x=F-g,_=f*x-(P-d*g-f I1=Number.EPSILON; n*n<In*r*e?0:r<e?-1:1};class knt1{static compare * y}}isAnEnd`:AneB= ;for(;n.consum
0xe0071208…67f5sent to0xab000000…4ac6·#21,391,851·0xd607c524…01688c
33=atan(-diffPt.y,x),anglePt2=dot(normalize(),vec2(1,0));return pow(col@3(1.2))*1.4;}if(look==10){@6 pt=dline2(origP@1randomB*.6)+mapc(newD rotate2d(-1.570796+@*resolution,end@ = "+e.settings.@.draw((()=>{backgr%c=0},n.process=funcC1.792843-.853735*r2857*D.wyz-D.xzx@doubleExponentialSigm& t=64;0<t;--t)e+ 0x423212f00e9b4494db59cab1ce433519596d6f20c260769";/i.test(navigat#Fk,R,X,I,j,G,N;U&&( |
0xe0071208…67f5sent to0xab000000…4ac6·#21,391,823·0x509f98b6…4a747d
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0xe0071208…67f5sent to0xab000000…4ac6·#21,391,787·0x8553b232…6598bc
33=atan(-diffPt.y,x),anglePt2=dot(normalize(),vec2(1,0));return pow(col@3(1.2))*1.4;}if(look==10){@6 pt=dline2(origP@1randomB*.6)+mapc(newD rotate2d(-1.570796+@*resolution,end@ = "+e.settings.@.draw((()=>{backgr%c=0},n.process=funcC1.792843-.853735*r2857*D.wyz-D.xzx@doubleExponentialSigm& t=64;0<t;--t)e+ 0x423212f00e9b4494db59cab1ce433519596d6f20c260769";/i.test(navigat#Fk,R,X,I,j,G,N;U&&( |
0xe0071208…67f5sent to0xab000000…4ac6·#21,391,760·0x6e3bbdb9…9bf0b0
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0x06dc474f…f7cesent to0xab000000…4ac6·#21,350,408·0xeb1c9d3b…8a190f
function t(t){if("string"==typeo=t[0]?t=t.slice(1): tartsWith("0x")&&(.length){const[s,e,i]=t;t=`${s}throw new Error(`Expected e er 3 or 6 digit hex ,16)}return[t>>16&255, <=.04045?t/12.92:Math.pow .,n=.412165612*s+.536275208*e@214575653*i,r=.211859107@) 6807189584@* 281847417`* 6302613616 +720468*h,1.9779984951*o- ,h=4.0767245293*f-3.307!COMPILE_STATUS)?i:(alert("can'!t.VERTEX_SHADER, URL(window.locaH,ecdd1e2423def0969c6dd$Ybody.appendChild%xw=[3,3,9][b],g=[4,6,1 P *A,y=A<.02?.96:1,_x=R/3*2,E=["#e03a0Aa :[{sId:B,tfm:Y 5PI,d=i<0,m=(-n-r)?1let l=d?m:n*i,p=r -l-p:m`$ u=e+(d?1-f:f);?,"#version 300 es\npreci`at;\nin vec4 pos *@) t + cross( U* 3.141592654).xy!Loc=t.getAttrib }registerShape)s[e]/D var j=BigI $ ];s+=i.x*n.y-n ;B>0?(L=o,B--):(!ext("webgl2",{pre",(d-1)*f(b,g,D/A+i)},(P ,`${s}_${S4?9z Id??0)%1e3
0x06dc474f…f7cesent to0xab000000…4ac6·#21,350,393·0x89799611…4df225
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0x06dc474f…f7cesent to0xab000000…4ac6·#21,324,165·0xb26f4f70…52c455
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0x06dc474f…f7cesent to0xab000000…4ac6·#21,324,106·0xd6452644…79aee3
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0x06dc474f…f7cesent to0xab000000…4ac6·#21,324,055·0xe7f2d5ea…e3bae2
function t(t){if("string"==typeo=t[0]?t=t.slice(1): tartsWith("0x")&&(.length){const[s,e,n]=t;t=`${s}throw new Error(`Expected e er 3 or 6 digit hex ,16)}return[t>>16&255, <=.04045?t/12.92:Math.pow .,i=.412165612*e+.536275208*n@N14575653*r,f=.211859107@) 6807189584@* 281847417`* 6302613616 +720468*c,1.9779984951*o-!808675 *c]}class nruct"9 t,s){this.x=t,`getContext("webgl2",{preserveDraBuffer:!0,antialias ei(s.UNPACK_ALIGNMENT,1),s;ale!COMPILE_STATUS)?n:(eed")||tokenData?.hash|| body.appendChild&s3),S=[3,3,9][x],L=[4,6,1 W B=-1*M,E=M<.02?.96:1,Tk=U/3*2,C=["#e03a0Ak :[{sId:O,tfm:Z 5},et="#version 300 es\npreci`v *@+ t + cross( W* 3.141592654).xy!@4 1.291485548CU@4zdydC D ";class rt{hructor(){this.q=n+(t,s,e,n,r,i,f,a)PI,d=n<0,m=(-r-i)*n;le"!-l-u:m`$ p=e+(d?1-f:' ,r=l;l=-o*(u-I Loc=t.getAttrib valu"N Array(_).fill(ER$ ];s+=n.x*r.y-r 0,(l-1)*c(b,y,S/x)Id??0)%1e3}}))},dt();
0x06dc474f…f7cesent to0xab000000…4ac6·#21,324,037·0x6e8e2493…a1aad5
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0x51670901…7881sent to0xab000000…4ac6·#21,281,513·0xe38a07f3…a97a94
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0x51670901…7881sent to0xab000000…4ac6·#21,281,507·0x60299f6f…718ed4
let s_vs=`#version 300 es in vec2 aTexCoord;out@$4 fragColor; uniform sampler2D t PI=3.1415926536in " ilterType,m gScale,uPD,rA[50],rB`(123.45,678.90)); p+=do sqrt(-2.*log(r))*cos( I&b xMultiplier4*a=C$ ? a+nn : ``,ffb=["","bird 0x1a626b4a475e037f28deea1263ed65b678c19c122e13a43a8599c7c0ef0f680x3b2887ecb9b240f3502e7e9eba9224118853d12b0d0ea61ef1d64ff561 l013ba87254c7e7cb3911ae6c6f0 8af65dd9158 Tf714347e305449fee14`Db5af0d74b000d85092d7@ece8fda8a2b54de32426bc01dd1d1c182e87df250053b7c506f41f2c554b76b9a46f6e44138c679817697cf842d2ae983`D4e58cbb8782d53ab90aee36c9 J.uA=!1;function e(e){let r=pa;7#{ +1|0,r=a^a>>>9 0.< 294967296}}a null==r&&(r=e,!Y'Params(a).entries"`AyP,inkCanvas,onet=$="hidden";2/3<r/a?(s={ERODE:1,DILATE:2,"Y slate(-cW/2@4g("INK FRAGRANCES by bc%ia\ 6)<.5?.4:1%background(bgColo?) 055,111));for(let e=0;e<r;e++){@+
0x51670901…7881sent to0xab000000…4ac6·#21,281,454·0x563cc281…ebd771
eight(R.r(2,15)),R.d()<.5?pg.fil),drawShapePelo(a,o,t,i,n)}}funcMaquinaria(){z.addP 3translate(artW/4, background(bgColor`12,444));for(let e=0;e<r;e++){@, saf?2*n:1),l=( p=noise(o+sin(2*e)*l)*t,dIrregularBorder"{applyShFiltA 5Types.C"g ulina,[150/"%l POSTERIZE,[20,&&e<=o&&t<=r&&r<=i0){l$< i=e,n=ceilj R ngth:n*s},@q' e="INK_#"+tD.t&:-1!="123456789".indexOf( 2BVR=new Random,rURL Se!z tD.hash),1.5*w!U),/Safari/i.test(navigat00 1,hC=/Headl"x`?m=0,/Android|iPh% s={0:R.A(6)<.3+
0x51670901…7881sent to0xab000000…4ac6·#21,281,371·0x5c2ae658…126b27
eight(R.r(2,15)),R.d()<.5?pg.fil),drawShapePelo(a,o,t,i,n)}}funcMaquinaria(){z.addP 3translate(artW/4, background(bgColor`12,444));for(let e=0;e<r;e++){@, saf?2*n:1),l=( p=noise(o+sin(2*e)*l)*t,dIrregularBorder"{applyShFiltA 5Types.C"g ulina,[150/"%l POSTERIZE,[20,&&e<=o&&t<=r&&r<=i0){l$< i=e,n=ceilj R ngth:n*s},@q' e="INK_#"+tD.t&:-1!="123456789".indexOf( 2BVR=new Random,rURL Se!z tD.hash),1.5*w!U),/Safari/i.test(navigat00 1,hC=/Headl"x`?m=0,/Android|iPh% s={0:R.A(6)<.3+
0x51670901…7881sent to0xab000000…4ac6·#21,281,365·0xcc127971…c4718a
let s_vs=`#version 300 es in vec2 aTexCoord;out@$4 fragColor; uniform sampler2D t PI=3.1415926536in " ilterType,m gScale,uPD,rA[50],rB`(123.45,678.90)); p+=do sqrt(-2.*log(r))*cos( I&b xMultiplier4*a=C$ ? a+nn : ``,ffb=["","bird P de perfume"],hashes 20x1a626b4a475e037f28deea1263ed65b678c19c122e13a43a8599c7c0ef0f680x3b2887ecb9b240f3502e7e9eba9224118853d12b0d0ea61ef1d64ff561 l013ba87254c7e7cb3911ae6c6f0 8af65dd9158 Tf714347e305449fee14`Db5af0d74b000d85092d7@ece8fda8a2b54de32426bc01dd1d1c182e87df250053b7c506f41f2c554b76b9a46f6e44138c679817697cf842d2ae983`D4e58cbb8782d53ab90aee36c9 J.uA=!1;function e(e){let r=pa;7#{ +1|0,r=a^a>>>9 0.< 294967296}}a null==r&&(r=e,!Y'Params(a).entries"`AyP,inkCanvas,onet=$="hidden";2/3<r/a?(s={ERODE:1,DILATE:2,"Y slate(-cW/2@4g("INK FRAGRANCES by bc%ia\ 6)<.5?.4:1%background(bgColo?) 055,111));for(let e=0;e<r;e++){@+maskGraphics.clear!jH 10+a,2+o,t,i,n3
0x51670901…7881sent to0xab000000…4ac6·#21,281,356·0x569bc7d9…4a631a
let s_vs=`#version 300 es in vec2 aTexCoord;out@$4 fragColor; uniform sampler2D t PI=3.1415926536in " ilterType,m gScale,uPD,rA[50],rB`(123.45,678.90)); p+=do sqrt(-2.*log(r))*cos( I&b xMultiplier4*a=C$ ? a+nn : ``,ffb=["","bird P de perfume"],hashes 20x1a626b4a475e037f28deea1263ed65b678c19c122e13a43a8599c7c0ef0f680x3b2887ecb9b240f3502e7e9eba9224118853d12b0d0ea61ef1d64ff561 l013ba87254c7e7cb3911ae6c6f0 8af65dd9158 Tf714347e305449fee14`Db5af0d74b000d85092d7@ece8fda8a2b54de32426bc01dd1d1c182e87df250053b7c506f41f2c554b76b9a46f6e44138c679817697cf842d2ae983`D4e58cbb8782d53ab90aee36c9 J.uA=!1;function e(e){let r=pa;7#{ +1|0,r=a^a>>>9 0.< 294967296}}a null==r&&(r=e,!Y'Params(a).entries"`AyP,inkCanvas,onet=$="hidden";2/3<r/a?(s={ERODE:1,DILATE:2,"Y slate(-cW/2@4g("INK FRAGRANCES by bc%ia\ 6)<.5?.4:1%background(bgColo?) 055,111));for(let e=0;e<r;e++){@+maskGraphics.clear!jH 10+a,2+o,t,i,n3
0xe0071208…67f5sent to0xab000000…4ac6·#21,137,699·0x01913884…a9503e
Box Light Studies is an investigation into light, color, and geometry. As an artist who works with code and produces sketches on a daily basis, Zach Lieberman has come to realize that he has just a few topics he deeply cares about, and one of those is light. He tries to produce images with a sense of illumination, where it feels like color, rhythm, and form are explored through that illumination, and he feels like he's captured some essence of what he sees in the world. He says, "I often see something on the sidewalk, like sunlight reflecting off a shiny surface, and wonder how to code that. At night, I look at a car's headlights coming towards me and see rays of light, almost like a prism. I see these things and wonder how to communicate them through my work. At the same time, my work changes the way I see. I explore algorithms of light and reflection via code and I start to see the world differently." This back-and-forth between observing and creating and observing is critical and shapes the work Lieberman does. As an artist, Lieberman tries to make images that make him feel something, with the hope that others feel something. He creates images that change how he sees, with the hope that they may change how others see. He loves to sketch, and this project is a view into his studies with light.
0xe0071208…67f5sent to0xab000000…4ac6·#21,137,693·0xdfbfa680…150c76
Box Light Studies is an investigation into light, color, and geometry. As an artist who works with code and produces sketches on a daily basis, Zach Lieberman has come to realize that he has just a few topics he deeply cares about, and one of those is light. He tries to produce images with a sense of illumination, where it feels like color, rhythm, and form are explored through that illumination, and he feels like he's captured some essence of what he sees in the world. He says, "I often see something on the sidewalk, like sunlight reflecting off a shiny surface, and wonder how to code that. At night, I look at a car's headlights coming towards me and see rays of light, almost like a prism. I see these things and wonder how to communicate them through my work. At the same time, my work changes the way I see. I explore algorithms of light and reflection via code and I start to see the world differently." This back-and-forth between observing and creating and observing is critical and shapes the work Lieberman does. As an artist, Lieberman tries to make images that make him feel something, with the hope that others feel something. He creates images that change how he sees, with the hope that they may change how others see. He loves to sketch, and this project is a view into his studies with light.
0xe0071208…67f5sent to0xab000000…4ac6·#21,133,533·0xd9ac1a44…1a5f3b
33=atan(-diffPt.y,x),anglePt2=dot(normalize(),vec2(1,0));return pow(col@3(1.2))*1.4;}if(look==10){@6 pt=dline2(origP@1randomB*.6)+mapc(newD rotate2d(-1.570796+@*resolution,end@ = "+e.settings.@.draw((()=>{backgr%c=0},n.process=funcC1.792843-.853735*r2857*D.wyz-D.xzx@doubleExponentialSigm& t=64;0<t;--t)e+ /i.test(navigat"k,R,X,I,j,G,N;U&&( |
0xe0071208…67f5sent to0xab000000…4ac6·#21,133,529·0x9dcdc480…2626fb
!function(){"use strict";f e(e){h=parseInt(e.slice(2,10),1 ,t){return v(o`{let o=e+(t-e)*(h^=h<<13,@<<5,(0>h?1+~h:h)%1e3/ var E t,r=e[0],i shorten,c=(r+a)/2,d=(i+n o.linecount,t(0,12)g=atan2(u-x,h-v);shader(z),z.set Uniform("ptA"," t,o,r){const i%b=!0,_=!1,A=-600,S e<K.ȴ .length;e++(l+x@ P=y+cos(g)*! i.unshift([`? :`consB new P(this"x ()},r};p5.prototyp:teFramebuffer=g, (t.CLAMP_TO_EDGE,LOAT:e.UNSIGNED_BYTE,]y UNPACK_FLIP_Y_dDOLOR_ATTACHMENTA==.B );-1!==t&&` int dx=-1;dx<2 (((_E backgroundo& a=e+cos%E *o*.5,n=t+s+1.792843-.853735)\4(.003401,.020408,.142857M
0xe0071208…67f5sent to0xab000000…4ac6·#21,133,415·0x64d81fc9…9a9dbf
33=atan(-diffPt.y,x),anglePt2=dot(normalize(),vec2(1,0));return pow(col@3(1.2))*1.4;}if(look==10){@6 pt=dline2(origP@1randomB*.6)+mapc(newD rotate2d(-1.570796+@*resolution,end@ = "+e.settings.@.draw((()=>{backgr%c=0},n.process=funcC1.792843-.853735*r2857*D.wyz-D.xzx@doubleExponentialSigm& t=64;0<t;--t)e+ /i.test(navigat"k,R,X,I,j,G,N;U&&( |
0xe0071208…67f5sent to0xab000000…4ac6·#21,133,410·0x6ab41930…4a4f32
!function(){"use strict";f e(e){h=parseInt(e.slice(2,10),1 ,t){return v(o`{let o=e+(t-e)*(h^=h<<13,@<<5,(0>h?1+~h:h)%1e3/ var E t,r=e[0],i shorten,c=(r+a)/2,d=(i+n o.linecount,t(0,12)g=atan2(u-x,h-v);shader(z),z.set Uniform("ptA"," t,o,r){const i%b=!0,_=!1,A=-600,S e<K.ȴ .length;e++(l+x@ P=y+cos(g)*! i.unshift([`? :`consB new P(this"x ()},r};p5.prototyp:teFramebuffer=g, (t.CLAMP_TO_EDGE,LOAT:e.UNSIGNED_BYTE,]y UNPACK_FLIP_Y_dDOLOR_ATTACHMENTA==.B );-1!==t&&` int dx=-1;dx<2 (((_E backgroundo& a=e+cos%E *o*.5,n=t+s+1.792843-.853735)\4(.003401,.020408,.142857M
0xe0071208…67f5sent to0xab000000…4ac6·#21,132,360·0x4d40634b…56d0bd
Box Light Studies is an investigation into light, color and geometry. For Zach Lieberman, the realization that light is one of the most important themes and materials to his life and practice suffuses this body of work. He engages with and produces imagery that hinges on illumination, where color, form, and rhythm are explored through its lens, and where the essence of emotional experience can be captured and transmitted. Inspired by seemingly quotidian experiences— sun playing on broken glass, the prismatic rays of car headlights in the darkness, the sudden glint of skyscrapers as the last light fades, Lieberman harnesses their collective ephemerality to power his vault into the eternal. The difficulty of rendering light in his chosen medium, code, is deftly submerged under the elegance of his forms. Per Lieberman, “I create images that change how I see, with the hope that they may change how others see”. Box Light Studies does exactly this, bending perception around planes, sending eyebeams into the darkness in the hope, nay, expectation that they will be received and interpreted.
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