One that contains all: "Dance to Forgotten Noise" is an algorithm that continually generates images of a synthetic landscape, offering endless perspectives of the scenery. Each drawing is a temporary materialization of a whole set of possible outcomes. Leaves dance through space, carried by an unseen wind, while flowers wobble and rocks occasionally defy gravity, seemingly weightless. These transient moments come and go, leaving fleeting memories, forgotten noises in our minds.
Underwater is a collection of 100 generative illustrations. The project portrays seven hypothetical species. Left to grow in the underground aquifer of Mexico City, these species are conceived as fictive descendants of ancient Mexican plants.
The abstract aesthetic of the drawings is inspired by the pre-naturalist illustrations of medieval herbaria, especially the Libellus de Medicinalibus Indorum Herbis. To recreate the beauty of these early scientific illustrations through code, the superformula was combined with space colonization algorithms to generate tepal-like forms with characteristic patterns.
The flowers that inspired this collection of generative plants are: *Dahlia coccinea*, *Chirahodendron pentadactylon*, *Magnolia dealbata*, *Tigridia pavonia*, *Helianthus armus* and *Sprekelia formosissima*.
Underwater is a collection of 100 generative illustrations. The project portrays seven hypothetical species. Left to grow in the underground aquifer of Mexico City, these species are conceived as fictive descendants of ancient Mexican plants.
The abstract aesthetic of the drawings is inspired by the pre-naturalist illustrations of medieval herbaria, especially the Libellus de Medicinalibus Indorum Herbis. To recreate the beauty of these early scientific illustrations through code, the superformula was combined with space colonization algorithms to generate tepal-like forms with characteristic patterns.
The flowers that inspired this collection of generative plants are: *Dahlia coccinea*, *Chirahodendron pentadactylon*, *Magnolia dealbata*, *Tigridia pavonia*, *Helianthus armus* and *Sprekelia formosissima*.
“Fragments of an infinite field” is a compositional system in which an idealized plant species is generated and arranged in a potentially infinite field of foliage. The main environmental parameter of the composition is the determination of a season of the year. The season determines the landscape’s colors and defines specific phenomena for each of them, such as rain in summer, snow in winter, petals falling in autumn, and pollen in spring. The flower has several possible variables, which can be macro aspects, affecting the entire population of the species, or micro, affecting each individual of the species differently. For example, the number of petals can be equal in all individuals or not. The number of filaments and other structures of the flower can undergo minor deviations, generating small mutations. The confusion between the figure (plant) and the background (earth, sky, other natural elements) is fascinating from a compositional point of view. The background colors are, most of the time, colors present in the figures, often breaking the boundary between them and, therefore, generating chromatic masses. In this project I also intend to research the following question: How to create parameters that resemble a living organism's growth? In this sense, the project approaches digital morphogenesis and the development of procedural organisms.
“Fragments of an infinite field” is a compositional system in which an idealized plant species is generated and arranged in a potentially infinite field of foliage. The main environmental parameter of the composition is the determination of a season of the year. The season determines the landscape’s colors and defines specific phenomena for each of them, such as rain in summer, snow in winter, petals falling in autumn, and pollen in spring. The flower has several possible variables, which can be macro aspects, affecting the entire population of the species, or micro, affecting each individual of the species differently. For example, the number of petals can be equal in all individuals or not. The number of filaments and other structures of the flower can undergo minor deviations, generating small mutations. The confusion between the figure (plant) and the background (earth, sky, other natural elements) is fascinating from a compositional point of view. The background colors are, most of the time, colors present in the figures, often breaking the boundary between them and, therefore, generating chromatic masses. In this project I also intend to research the following question: How to create parameters that resemble a living organism's growth? In this sense, the project approaches digital morphogenesis and the development of procedural organisms.
"Dutch Auction - Start price of 10Ξ and decreasing in price every 5 minutes to a resting price of 0.25Ξ Pricing Tiers: 10Ξ > 8Ξ > 6Ξ > 5Ξ > 4Ξ > 3.5Ξ > 3Ξ > 2.5Ξ > 2Ξ > 1.75Ξ > 1.5Ξ > 1.25Ξ > 1Ξ > 0.75Ξ > 0.5Ξ > 0.25Ξ"
“Fragments of an infinite field” is a compositional system in which an idealized plant species is generated and arranged in a potentially infinite field of foliage. The main environmental parameter of the composition is the determination of a season of the year. The season determines the landscape’s colors and defines specific phenomena for each of them, such as rain in summer, snow in winter, petals falling in autumn, and pollen in spring. The flower has several possible variables, which can be macro aspects, affecting the entire population of the species, or micro, affecting each individual of the species differently. For example, the number of petals can be equal in all individuals or not. The number of filaments and other structures of the flower can undergo minor deviations, generating small mutations. The confusion between the figure (plant) and the background (earth, sky, other natural elements) is fascinating from a compositional point of view. The background colors are, most of the time, colors present in the figures, often breaking the boundary between them and, therefore, generating chromatic masses. In this project, I also intend to research the following questions: How to create parameters that resemble a living organism’s growth? In this sense, the project approaches digital morphogenesis and the development of procedural organisms.
"Dutch Auction - Start price of 10Ξ and decreasing in price every 5 minutes to a resting price of 0.25Ξ Pricing Tiers: 10Ξ > 8Ξ > 6Ξ > 5Ξ > 4Ξ > 3.5Ξ > 3Ξ > 2.5Ξ > 2Ξ > 1.75Ξ > 1.5Ξ > 1.25Ξ > 1Ξ > 0.75Ξ > 0.5Ξ > 0.25Ξ"
“Fragments of an infinite field” is a compositional system in which an idealized plant species is generated and arranged in a potentially infinite field of foliage. The main environmental parameter of the composition is the determination of a season of the year. The season determines the landscape’s colors and defines specific phenomena for each of them, such as rain in summer, snow in winter, petals falling in autumn, and pollen in spring. The flower has several possible variables, which can be macro aspects, affecting the entire population of the species, or micro, affecting each individual of the species differently. For example, the number of petals can be equal in all individuals or not. The number of filaments and other structures of the flower can undergo minor deviations, generating small mutations. The confusion between the figure (plant) and the background (earth, sky, other natural elements) is fascinating from a compositional point of view. The background colors are, most of the time, colors present in the figures, often breaking the boundary between them and, therefore, generating chromatic masses. In this project, I also intend to research the following questions: How to create parameters that resemble a living organism’s growth? In this sense, the project approaches digital morphogenesis and the development of procedural organisms.
Monica Rizzolli, Lan Lanh e Deeplick | 2021
Visual Arts: Monica Rizzolli | Raining in the cerrado, wind storm over Pseudotrimezia juncifolia Soundtrack: Lan Lanh e Deeplick | Chovendo no Cerrado – Ar
800X800px | 52s | 24.1mb | MP4
https://ipfs.io/ipfs/QmZE4hkHQWrqoDxwRDs5F5nmmJqSGXxvd6FvXEBW2i1yij
Monica Rizzolli, Lan Lanh e Deeplick | 2021
Visual Arts: Monica Rizzolli | Raining in the cerrado, wind storm over Pseudotrimezia juncifolia Soundtrack: Lan Lanh e Deeplick | Chovendo no Cerrado – Ar
800X800px | 52s | 24.1mb | MP4
https://ipfs.io/ipfs/QmZGWgpD6HoC4wxvVuGPXzjKd6oug6PzdCzbducxSJWu8b
Monica Rizzolli, Lan Lanh e Deeplick | 2021
Visual Arts: Monica Rizzolli | Raining in the cerrado, 30 seconds of storm over Mandevilla hirsuta
Soundtrack: Lan Lanh e Deeplick | Chovendo no Cerrado – Água
2000X2000px | 33s | 45mb | MP4
https://ipfs.io/ipfs/QmVos2TUzbaFyEyv3L9i7he288c4zCka3sc2FDrJ8iabp9
Monica Rizzolli, Lan Lanh e Deeplick | 2021
Visual Arts: Monica Rizzolli | Raining in the cerrado, 30 seconds of storm over Mandevilla hirsuta
Soundtrack: Lan Lanh e Deeplick | Chovendo no Cerrado – Água
2000X2000px | 33s | 45mb | MP4
https://ipfs.io/ipfs/QmS2azdUZFiXh8SpyFKfmjCbujNBT2BcFJYLnM2J4fo5q6
Monica Rizzolli, Lan Lanh e Deeplick | 2021
Visual Arts: Monica Rizzolli | Raining in the cerrado, wind storm over Pseudotrimezia juncifolia Soundtrack: Lan Lanh e Deeplick | Chovendo no Cerrado – Ar
800X800px | 52s | 24.1mb | MP4
https://ipfs.io/ipfs/QmNhBgYwZX24bSVzQnFfeK16tHcnuztVE7zMZNpq9iunky
Monica Rizzolli, Lan Lanh e Deeplick | 2021
Visual Arts: Monica Rizzolli | Raining in the cerrado, 30 seconds of storm over Mandevilla hirsuta
Soundtrack: Lan Lanh e Deeplick | Chovendo no Cerrado – Água
2000X2000px | 33s | 45mb | MP4
https://ipfs.io/ipfs/QmWbf9iNQY1KhuE1ndPdXe5pK6fn8NEpa1TmnYo8fZq1xS
Monica Rizzolli, Lan Lanh e Deeplick
Visual Arts: Monica Rizzolli | Raining in the cerrado, east rain west wind over Pseudotrimezia
Soundtrack: Lan Lanh e Deeplick | Chovendo no Cerrado – Fogo
2000X2000px | 14s | 18.7mb | MP4
https://ipfs.io/ipfs/QmaReugeGXyU2eC1djdtCRsv14Hf5tmHe3kYvV99ehhrHU
Monica Rizzolli | 2021 | Raining in the cerrado, Açucena is dancing in the rain | 1000X1000px | 34s | 44.1mb | MP4
https://ipfs.io/ipfs/QmRDYYWsukQhkQDGPXzaDz4kHGsUTpLHW7ha7jQ2aksvwF